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| About
the Artists 2008-2009 |
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The
Amernet String Quartet, Ensemble-in-Residence at Florida International University, has garnered worldwide recognition as one of today’s exceptional young string quartets. First rising to attention after winning the Gold Medal at the Tokyo International Music Competition, they are also winners of the Banff International Competition and have performed in Japan, Canada, Germany, Switzerland, France, Korea, Mexico, and Romania. In 2004 and 2005 they served as the Stiefel Quartet-in-Residence for the Caramoor Center for the Arts. Prior to that, they had a residency at the University of Cincinnati College-Conservatory of Music. The group has recorded works by John Harbison, Morton Subotnick and Stephen Dankner, and made a recording of the Debussy String Quartet and the Chausson Concerto for Piano, Violin and String Quartet. They maintain a strong connection with today’s leading composers and have worked closely with Anthony Brandt, John Corigiliano, David Epstein, Toshi Ichiyanagi, and Gerhard Samuel. Amernet members are Marcia Littley, Javier Arias, Misha Vitenson and Michael Klotz.
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Born in Israel, violinist Shmuel Ashkenasi attended the Music Academy of Tel-Aviv and gave his first public performance while still very young. He came to the United States on a scholarship to study with Efrem Zimbalist at the Curtis Institute. The international music community discovered Ashkenasi quickly, at Belgium’s Queen Elizabeth Competition, at Washington’s Meriwether Post Competition (first prize) and at the Moscow Tchaikovsky Competition in 1962. Ashkenasi has toured the Soviet Union twice and concretizes every year throughout Europe, Israel and the Far East. He often performs with American orchestras such as the Philadelphia Orchestra, Boston Symphony, Chicago Symphony, National Symphony, Los Angeles Philharmonic, Atlanta Symphony, Vienna Symphony, Royal Philharmonic, and the orchestras of Berlin, Hamburg, Munich, Zurich, Rotterdam, Geneva and Stockholm; Ashkenasi has been the choice of many of the world’s most distinguished conductors, including Stokowski, Boehm, Kempe, Leinsdorf, Kubelik, Skrowaczewski and Ancerl. In addition, as first violinist of the famed Vermeer Quartet, he has gained a reputation as one of the world’s outstanding chamber musicians. A noted pedagogue, he holds the posts of Professor of Violin at Roosevelt University’s Chicago College of Performing Arts and at the Curtis Institute of Music.
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Hailed as "one of the most exciting young string quartets in America" (The Washington Post) the Avalon String Quartet has established itself as a leading chamber ensemble. Formed in 1995 at the Norfolk Chamber Music Festival, the Quartet came to the fore after participating in Isaac Stern's Chamber Music Workshop at Carnegie Hall in 1997, subsequently appearing in the Stern Chamber Music Encounters in Jerusalem and making a Carnegie Hall debut at Weill Recital Hall in 2000. The quartet won First Prize, the Channel Classics Prize, and the Rockport Chamber Music Festival Prize at the 1999 Concert Artists Guild Competition, which led to the critically acclaimed recording "Dawn To Dusk," and top prize in the ARD Competition in Munich. Following residencies at the Juilliard School and at Indiana University South Bend, the quartet is now in residence at Northern Illinois University, a position formerly occupied by the venerated Vermeer Quartet. They have performed in many major halls, including Alice Tully, the 92nd Street Y, and Carnegie Hall in New York; the Library of Congress in Washington; Wigmore in London and Herculessaal in Munich as well as the Caramoor, La Jolla, Ravinia, and Lincoln Center Mostly Mozart festivals. Dedicated educators, they have taught at the Interlochen Quartet Institute and at the Britten-Pears School in England. The Avalon has been featured in live performances and conversation on Chicago's WFMT-FM, New York's WQXR-FM and WNYC-FM, National Public Radio's Performance Today, Canada's CBC, Australia’s ABC, and France Musique.
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Violinist
Yehonatan Berick, soloist, recitalist, chamber musician (violin and viola), and pedagogue, was a prizewinner at the 1993 Naumburg Competition and a recipient of the 1996-97 Prix Opus. He has performed with the symphony orchestras of Quebec, Winnipeg, Jerusalem, and Haifa, and the Israel, Cincinnati, Montreal, and Manitoba chamber orchestras. He has played recitals with such pianists as James Tocco, Louis Lortie, Stephen Prutsman, and Michael Chertock, and collaborates with artists including members of the Guarneri Quartet, and cellists Peter Wiley and Stephen Isserlis. Berick’s festival credits include Marlboro, Ravinia, Seattle, Great Lakes, Vancouver, El Paso, Maui, and Bowdoin; and he is a frequent guest performer with Close Encounter With Music. A member of Musicians from Marlboro, the Lortie-Berick-Lysy Piano Trio, and the Huberman String Quartet, he can be heard on recordings on the Summit, Gasparo, and Helicon labels. Currently Professor of Violin at the University of Michigan, his studies were at Tel Aviv University’s Music Academy and at the University of Cincinnati College-Conservatory of Music. He plays on a violin by Honore Derazy Pere made in 1852 and a viola by Stanley Kiernoziak made in 2003.
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The new Baroque ensemble Camerata San Marco is comprised of outstanding soloists and chamber musicians who have performed at international festivals and with leading ensembles in concert halls around the world: Marlboro, Kneisel Hall, Alice Tully, Da Capo Chamber Players, Bargemusic, Aspen, Prussia Cove, etc. It is fashioned after Antonio Vivaldi’s all-woman orphanage players, La Pietà. |
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Israeli violinist Vadim Gluzman has established himself as a performer of depth, virtuosity and technical brilliance. He has performed throughout the United States, Europe, Russia, Japan, Australia and Canada as a soloist and in a duo setting with his wife, pianist Angela Yoffe. In 1990, sixteen-year-old Gluzman was granted five minutes to play for the late Isaac Stern. From that meeting, a friendship was born. In 1994, Mr. Gluzman was named recipient of the prestigious Henryk Szeryng Foundation Career Award. He now plays the extraordinary 1690 ex-Leopold Auer Stradivarius on extended loan to him through the generosity of the Stradivari Society of Chicago. In recent seasons, Vadim Gluzman has appeared with the Chicago, Cincinnati, Houston, Utah, Vancouver and Seattle Symphony Orchestras, the Stuttgart Radio Orchestra, Tokyo Symphony Orchestra, NHK and KBS Orchestras under the baton of conductors such as James DePreist, Neeme J@rvi and Yehudi Menuhin. He has also performed at the international Verbier, Ravinia, Pablo Casals, Lockenhaus, and Radio France festivals. Mr. Gluzman records exclusively for the BIS label. A recording of Lera Auerbach’s 24 Preludes for Violin and Piano (written for Mr. Gluzman and Ms. Yoffe) received rave reviews, as did their second album, featuring music by Schnittke, Vasks, Pärt, and Kancheli. Born in 1973 in the Ukraine, Vadim Gluzman began studying the violin at the age of seven. Before moving to Israel in 1990, he studied under Zakhar Bron and later under Yair Kless in Tel Aviv. He also studied in the United States under Arkady Fomin and at the Juilliard School under Dorothy DeLay and Masao Kawasaki. |
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Violinist Cordelia Hagmann appears frequently as a chamber musician, recitalist and concertmistress in Europe and the U.S. She won top prizes at the Chesapeake Chamber Music Competition in 2004 with the Moirae Trio in Winthur and Zurich in her native Switzerland. Currently based in New York, she has performed in venues such as Carnegie Hall, Merkin Hall and Alice Tully Hall, as well as the Tonhalle in Zürich and KKL in Luzerne, the Tel Aviv Conservatory, and the Jerusalem Music Center. As a soloist she has performed with orchestras such as the Musikkollegium Winterthur and the Temple Symphony Orchestra, and has been heard on Swiss National Radio. She received a Performer Diploma with Miriam Fried at Indiana University in Bloomington where she was a member of the Moirae Piano Trio under the guidance of Menahem Pressler. |
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Harpsichordist and pianist Aya Hamada is an active concerto soloist, recitalist, chamber musician and continuo player. She plays principal keyboard for the New York Symphonic Ensemble and the ProMusica Chamber Orchestra of Columbus and has given recitals and chamber music concerts in major venues throughout her native Japan as well as the U.S. and Europe, including Carnegie Hall, Lincoln Center’s Alice Tully Hall, and the Kennedy Center in Washington. Highlights have been the 2003 premiere of Kati Agocs’s harpsichord concerto with the New Juilliard Ensemble, and the 2008 performance of J.S .Bach’s Brandenburg Concertos with Kasai Philharmonic Orchestra to sold-out halls in Japan. She has also performed with the Juilliard Symphony, Ensemble America, and the Berkshire Opera Company. Ms. Hamada won top prizes in the London Music Festival Competition, the Josef Hofmann Piano Competition, and Artists International Auditions. She was a recipient of the Irene Diamond Graduate Fellowship from the Juilliard School, where she earned her master of music degree. Her teachers have included Ruth Laredo, Richard Contiguglia, and Lionel Party. |
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Jonathan Keren, composer, arranger and violinist, is a Koussevitzky Foundation award winner at the Library of Congress (2007) and a recipient of ASCAP’s Young Composers’ Award prize (2004) as well as scholarships from the America-Israel Cultural Foundation in violin and composition. He earned a Master’s degree in composition from The Juilliard School under the tutelage of Milton Babbit. His works have been performed at New York’s Carnegie Weill Hall; Rose Theatre at Jazz in Lincoln Center, and Alice Tully Hall; the Louvre Museum in Paris; Berlin Philharmony Hall; the Tel-Aviv Museum, Jerusalem Music Center, and the Tel-Aviv Opera in his native Israel, by the Jerusalem Symphony Orchestra and the Tel-Aviv Trio; and by the Fountain Chamber Music Society, of which he is the Composer in Residence. In 2003, the New Juilliard Ensemble commissioned and performed his Cello Concerto at Tully Hall, and in 2004 he represented Israel in the ACL (Asian Composers League) young composers’ competition in Tokyo, Japan. Other commissions have included the Library of Congress in Washington, the 92nd Street Y in New York and the Jerusalem Symphony Orchestra. A violinist active with a number of early music groups, he is a co-founder of the La Mela Di Newton Trio and has performed at the Metropolitan Museum in New York, the Concertgebouw in Amsterdam, in Korea, Italy, Russia and Slovenia. |
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Violinist Stefan Milenkovich is recognized internationally for both exceptional artistry and his life-long commitment to humanitarianism, begining with his appointment as Child Ambassador of the First Children’s Embassy founded in Medjasi, Yugoslavia, during the war in Bosnia.. At age seven he won the grand prize in the Jaroslav Kozian Violin Competition, and came to international attention when at age ten he was invited to perform for President Ronald Reagan at a White House Christmas celebration. This was followed by an invitation from the former Soviet President, Mikhail Gorbachev, to play in Belgrade. He also performed twice for Pope John Paul II in Castelgandolfo, Italy. His international orchestral concerto appearances include the Berlin Symphony Orchestra, Helsinki Philharmonic, Belgrade Philharmonic, Orchestra of Radio-France, Bolshoi Theatre Orchestra, St. Petersburg State Orchestra, National Orchestra of Belgium and the Melbourne and Queensland Symphonies in Australia. He has served on the violin faculty of the Perlman Music Program on Shelter Island and is a faculty member at the University of Illinois at Champaign-Urbana. He is a member of the Corinthian Trio with pianist Adam Neiman and his wife, the cellist Ani Aznavourian. |
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Adam Neiman is hailed as one of the premiere pianists of his generation, praised for possessing a rare blend of power, bravura, imagination, and technical precision. With a burgeoning international career and an encyclopedic repertoire that spans over fifty concertos, Neiman has performed as soloist with the symphony orchestras of Belgrade, Chicago, Cincinnati, Dallas, Detroit, Houston, Indianapolis, Minnesota, Saint Louis, San Francisco, Umbria and Utah, as well as with the New York Chamber Symphony and the National Symphony Orchestra; and he has been featured at festivals world-wide. He has collaborated with such conductors as Jiri Belohlavek, Yoel Levi, Peter Oundjian, Leonard Slatkin and Emmanuel Villaume. His 2002 tour of Japan culminated in a Tokyo debut at Suntory Hall, which was released on a disc entitled Adam Neiman, Live at Tokyo’s Suntory Hall, issued by Lyric Records. Prizes have included the Avery Fisher Career Grant, the Gilmore Young Artist Award, and the Michaels Award of Young Concert Artists. He was invited to join the roster of the Chamber Music Society of Lincoln Center II for the 2004-2006 seasons. As a composer, his output includes works for solo piano, voice, chamber ensembles, a symphony and a violin concerto. His newest chamber work will be premiered with the Jupiter Chamber Players in New York City this season. |
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One of the few violists to ever be awarded the prestigious Avery Fisher Career Grant as well as a 48th Annual GRAMMY Award Nomination (Best Soloist with Orchestra), Richard O'Neill is rising to international prominence as one of the most promising artists of his generation. Highlights from this season include his solo debuts with the London Philharmonic and the Moscow Chamber Orchestra, a Live from Lincoln Center television broadcast for PBS with the Chamber Music Society, and the release of his third album for UNIVERSAL Classics/Deutsche Grammophon. In recent seasons he has made debuts at the world's most prestigous halls including New York's Carnegie Hall, London's Wigmore Hall, Paris' Salle Cortot and Seoul Arts Center, as well as an appearance at the Mostly Mozart Festival with the Emerson String Quartet and Leon Fleisher in Avery Fisher Hall. O'Neill has made performed with many orchestras including the Los Angeles and Euroasian Philharmonics, the KBS Symphony Orchestra, and the American Youth, YMF Debut and USC Symphonies.
A highly accomplished chamber musician, he has collaborated with members of the Juilliard, Guarneri, Emerson, Orion, Brentano and Mendelssohn String Quartets, Ensemble Wien-Berlin, Gil Shaham, Cho-Liang Lin, Kyung-Wha Chung, Jamie Laredo, Joshua Bell, Steven Isserlis, Frans Helmerson, Gary Hoffmann, Carter Brey, Edgar Meyer, Garrick Ohlsson, among others. He was a member of Chamber Music Society Two of Lincoln Center, a residency that features the world's most gifted young chamber musicians, and will join the Society for their 2007-08 season. He also serves as principal violist of Santa Barbara-based Camerata Pacifica. He frequently tours with the Chamber Music Society of Lincoln Center as well as with Musicians from Marlboro. He has held the position of principal violist and soloist with Sejong (ICM Artists). Festival apperances include Marlboro, Aspen, Bridgehampton, Casals, Mostly Mozart, Ravinia, Seattle as well as Bargemusic and Brooklyn Friends of Chamber Music.
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The Rose Ensemble is a daring and inventive vocal ensemble dedicated to performing and preserving ancient music and honoring history, world cultures and religions. Founded in 1996 by Artistic Director Jordan Sramek, the group has reinvented early music in the concert hall with performances of Medieval, Renaissance and Baroque music combined with ancient legends for an entertaining and beautiful style of presentation—with repertoire spanning 1,000 years and over 25 languages, including new research in Hawaiian, Swedish, Mexican and American vocal traditions. Based in St. Paul, Minnesota, the Ensemble is recognized as one of the top early music groups in the nation and is the recipient of the 2005 Chorus America Margaret Hillis Award for Choral Excellence and first-place winner at the 2007 Tolosa International Choral Competition in Spain. The Rose Ensemble maintains an active international touring schedule filled with performances, workshops and educational programs for people of all ages. Praised for “an almost supernatural blend of voices” (Early Music America Magazine), The Rose has produced seven recordings which have won widespread critical acclaim and enjoy regular international airplay. |
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Bulgarian native Emma Tahmiziàn made her debut as a soloist with orchestra at thirteen, and her international career was launched at nineteen, when she won First Prize in the Robert Schumann International Competition in Germany and gave her Berlin debut in the legendary Maxim Gorki Theatre. Ms. Tahmiziàn has concertized throughout Europe and North America. She has collaborated with first violinist of the Juilliard Quartet Joel Smirnoff, violist Kim Kashkashian, cellists Yehuda Hanani, Fred Sherry, and Matt Haimovitz, and sopranos Bethany Beardslee and Julia Migenes. Critics have hailed her playing as “stunning” (The Times Record) and
“electrifying” (The New York Times). Ms. Tahmiziàn has performed with all the major orchestras of her native Bulgaria, the Moscow and St. Petersburg Philharmonic, The Prague Chamber Orchestra, the Brooklyn Philharmonic, and the East Berlin Radio Symphony. A graduate of the Bulgarian State Music Conservatory, she holds a Master of Music Degree from The Juilliard School of Music, where her teachers included Adele Marcus. She is a laureate of the Tchaikovsky, Leeds, Van Cliburn, Montréal, Bach and Smetana competitions, a winner of the Pro Musicis Award, and a recipient of multiple grants from the New York Foundation for the Arts. She has taught at the Bulgarian State Music Conservatory, the University of Virginia, and the College of the Holy Cross and enjoys a long-standing association with the Bowdoin International Music Festival, where, in addition to performing, she teaches piano, chamber music and presents master classes. |
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Pianist James Tocco’s vast repertoire includes virtually the entire standard piano literature, and he is widely regarded as one of the foremost interpreters of American masterworks. He is associated particularly with Bernstein’s Age of Anxiety, which he recorded with Leonard Slatkin and the BBC London Symphony and performed with Marin Alsop and the New World Symphony, and with the Corigliano Piano Concerto, of which he is acknowledged to be the definitive interpreter. Recent engagements include his Royal Concertgebouw debut, performing the MacDowell Concerto and Gershwin’s Rhapsody in Blue, both under Leonard Slatkin. Mr. Tocco is Eminent Scholar/Artist-in-Residence at the University of Cincinnati College-Conservatory of Music. He is also the Artistic Director of the Great Lakes Chamber Music Festival in Bloomfield Hills, Michigan. He has performed with the major American orchestras including those of Chicago, Cincinnati, Cleveland, Detroit, Los Angeles, Minnesota, and Pittsburgh, and in Europe with the Berlin, London and Munich Philharmonics under David Atherton, Christoph Eschenbach, Lukas Foss, Neeme Järvi, Yoel Levi, Raymond Leppard, and Wolfgang Sawallisch. Festival appearances include Schleswig-Holstein, Wolf Trap, Blossom, Ravinia, Spoleto, Santa Fe, and Mostly Mozart. Mr. Tocco’s extensive discography, which reflects his varied tastes and astonishing versatility, includes the world premiere recording of Bernstein’s complete solo piano music, an all-Copland disc, the complete Chopin Préludes, the complete piano music of Charles Tomlinson Griffes, Erwin Schulhof ’s Cinq Etudes de Jazz, Bach-Liszt organ transcriptions, the four piano sonatas of Edward MacDowell, and a recently issued Corigliano Etude-Fantasy on the Sony Classical label. |
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